Articles By: Olly Buxton

Olly lives amongst the lush olive groves and cypress trees on the slopes of Mount Muswell, just north of London, where he has a thirty five acre lifestyle orchard and farm with lifetime partner Bridget and their small ('but growing!') herd of alpacas. When he's not darting around the corniches of Hamstead and Highgate on his convertible BSA motorcycle ('it's more of a cabriolet, really') or tasting his latest batch of extra virgin oil with the orchard's head oliculturalist, Ned, Olly researches for his forthcoming novel, a science fiction fantasy in which, courtesy of a time machine, it is David Bowie and not namesake Jim who is left to defend the Alamo from the siege of the Mexican Army. A committed Radical Marxist Ironist, Olly made his fortune during the world-wide anti-capitalist riots of 1999 on the back of the simple but ingenious idea: selling packed lunches and bottles of diet coke to hungry protesters at a huge mark-up. "FeedtheCommie.com", as he styled his fledgling business, quickly became an enormously profitable multinational operation, quenching thirsts and filling bellies of protesters, dissidents, exiles and other militant intellectuals during times of civil unrest and civil protest in thirty six countries around the globe, from its headquarters in Seattle. The company also secured lucrative sponsorship deals with (among others) Amnesty International, Greenpeace and the Socialist Workers' Party. Olly then consolidated his net worth by securitising the income streams from FeedtheCommie.Com, negotiating a successful IPO and selling his entire holding ('mostly to student Marxist Radicals I had befriended, I would point out') at the top of the market. As of its public debut, FeedtheCommie.com is yet to make any revenue and is currently trading at 6 per cent of its par value. Nevertheless, Olly doesn't feel too bad about the sub-class of bankrupt Marxists he has created. "It's what they would have wanted". Now the second richest man in the world, Olly has settled into a life of writing political philosophy, voyaging on journeys of self discovery ('I find something new about myself every day. This morning it was dandruff'), and ceramic painting (pointillism).

Angèle and Tony (2011)

Angèle and Tony (2011)
I imagine this is the French equivalent of one of Mike Leigh’s gloomy British kitchen sink dramas. Holding, as I do, an unfashionable aversion to Mike Leigh’s films, this might have made for a trying evening, but the continental insouciance of all concerned alleviated the gloom quite nicely...
April 30th, 2012 | Feature, Film Reviews | Read More

Silent House (2011)

Silent House (2011)
I hated this movie. Well, I hated the first hour, at any rate, and when I realised it had no intention of trying to get better, I walked out. I was not the first person in the screening to do so. The film is, in its way, technically ambitious, the whole thing ostensibly a single [...]
April 30th, 2012 | Feature, Film Reviews | Read More

This Must Be The Place (2011)

This Must Be The Place (2011)
This film will divide opinions. If you’re impatient or impervious to the charms of Sean Penn, you’ll be unamused. On the other hand the cast also boasts Frances McDormand, Harry Dean Stanton, Judd Hirsch and a trifecta of performances (live music, a soundtrack and acting) from David Byrne....
April 2nd, 2012 | Feature, Film Reviews | Read More

The Hunger Games: Flickfeast Debates

The Hunger Games: Flickfeast Debates
Julio Kukanja and Olly Buxton both attended The Hunger Games as twin-critics from flickfeast – a sort of left/right combination to the solar plexus aimed at giving you, the reader, a genuinely stereoscopic view of the film. They took that to some extremes as they failed to meet up before the screening...
March 22nd, 2012 | Feature, Spotlight | Read More

The Hunger Games (2012)

The Hunger Games (2012)
Lionsgate’s Easter blockbuster is a lengthy, high-octane dramatisation of The Hunger Games, a “young adult” novel by Suzanne Collins. It is the first in a series about which I’d heard nothing before this screening. My eleven-year-old son tells me it is quite the thing at the...
March 21st, 2012 | Feature, Film Reviews | Read More

One More… (2012)

One More… (2012)
The concept of a film about the Indian Ice Hockey Team sounds not unlike the concept behind John Candy’s celebrated biopic of the 1988 Jamaican Bobsled team, only, perhaps with some synchronised  dancing thrown in. Rest assured: One More is an independent film, and in the director’s Q&A that...
March 10th, 2012 | Feature, Film Reviews | Read More

Red Dog (2011)

Red Dog (2011)
Perhaps these days all you need for a knockout film is the Australian outback, a low flying helicopter for swooping fly-by shots over dusty roads, some nostalgic boogie on the soundtrack and a super wide angle lens to catch the red risen dust at sundown. If that is so, stop reading now and see this [...]
February 20th, 2012 | Feature, Film Reviews | Read More

The Woman In Black (2012)

The Woman In Black (2012)
What a cheering prospect: two great institutions of British supernatural cinema making a good show of not being stone dead after all. Latterly consensus had it that Hammer Film Productions, having introduced the post war generation to spanky gothic horror, was a long time deceased, wiped off the map...
February 6th, 2012 | Feature, Film Reviews | Read More

Coriolanus (2011)

Coriolanus (2011)
First-time director Ralph Fiennes has certainly set himself a challenge. Not only has taken on Shakespeare, never a straightforward prospect for conversion to celluloid, but one of the less well-known tragedies at that, and one notably short of famous scenes and quotable quotes. He’s also modernised...
January 16th, 2012 | Feature, Film Reviews | Read More

Another Earth (2011)

Another Earth (2011)
I’m a cantankerous old goat, rarely moved to hyperbole, but I was simply enthralled by this film: totally absorbed throughout, except when I found myself chuckling giddily at the realisation I was watching a profoundly brilliant piece of cinema. The last time I had that sensation was in 1991 when...
December 6th, 2011 | Feature, Film Reviews | Read More