The perfect film to point people toward if they’re claiming that the 21st century horror movie has no originality any more. Yes, there are plenty of great influences and references here (from Night Of The Demon and The Devil Rides Out to An American Werewolf In London) but this UK horror blends them all together with a style and intelligence amidst some material not often utilised within the genre, at least in the movie world.
Fergal (Niall Bruton) and his mother (Kate Dickie) are being hunted (for reasons that we learn about as the movie unfolds) and so, when they have settled down in their latest residence in an Edinburgh housing estate, they begin to prepare for the final stand that is inevitably coming. Well, Fergal’s mother prepares while the lad himself struggles to cope with the normal social awkwardness of the late teens amplified by his travelling lifestyle. James Nesbitt (in a fantastic performance that makes me think he really should do more work showing off his darker side) is the one doing the hunting, accompanied by someone trying to keep him within the rules and limits ordained by the elder, wise ones. To complicate matters further, Fergal finds himself attracted to the girl next door, Petronella (a wonderful turn from Hanna Stanbridge), despite warnings from his mother hinting at a bad outcome for all involved. And did I mention the monster attacking people at night?
The best thing about Outcast, for me, is how it takes things that really could have been mishandled and made into something laughable and depicts them as powerful, traditional methods used by people who believe in what they’re doing absolutely. I don’t know how much shown onscreen is based in fact and researched lore but it certainly feels authentic and while you’re watching people use magic here (e.g. at one point the hunter tries to locate his prey by calling a bird and slicing it open with a knife to read the entrails) you never start thinking that everyone should just bugger off to Hogwarts and leave the screen free to be full of standard, knife-wielding “muggles”.
The cast is a good mix of the youthful and the elderly and experienced (basically mirroring their characters) and this is another bonus for the film: solid acting from people portraying characters you invest in. Kate Dickie (who I recognise most from her being brilliant in Red Road, see it if you can) may not have your sympathies at the beginning of the movie, and doesn’t always keep you onside throughout, but her character reveals details that explain her actions and gain your support, to a degree. Alongside those mentioned we also get small turns from the great James Cosmo and even a small amount of screentime for Karen Gillan (best known to fans of Dr. Who as one of his many assistants).
Effects throughout, achieved through both practical make up and some decent camera trickery, are of a very high standard and the design of the creature I mentioned is excellent, especially considering the relatively low budget.
Speaking of money, does it all seem a bit cheap? Not at all. Yes, there are moments set in the city centre that are a little hastily cut and closely cropped but the majority of the movie manages to excel despite its limitations. Director Colm McCarthy and his brother Tom, who helped craft the screenplay, deserve some high praise indeed because putting aside some minor editing and synching awkwardness, this is an object lesson in how a smart, cool, intelligent indie horror should be made.
DIRECTOR: COLM McCARTHY.
CAST: NIALL BRUTON, KATE DICKIE, JAMES NESBITT, HANNA STANBRIDGE.
RUNTIME: 92 MINS APPROX.
COUNTRY: UK
Film Rating: 
